Condenser microphone: wide and smooth frequency response, delicate sound pickup, excellent high-frequency and low-frequency response, the first choice for personal studio recording musical instruments and vocals, basically not working at high sound levels.
Dynamic microphone: It tends to pick up rough sound, but it is very practical. It can work under different temperatures and humidity with greater intensity and stability, and can work without distortion under high sound pressure levels.
Ribbon microphone: It is used to pick up warm and comfortable sounds. It is delicate and fragile, and is rarely used.
The light-blown ocarina can perform very well under condenser microphones, while the heavy-blown ocarina needs to perform well under dynamic microphones.
Many people have the experience of buying a microphone, whether it is used to record their own demo or someone used to collect the sound of an instrument, and even many singers who sing in the market have their own microphones, but are you really using the right microphone? Since the microphone plays a very important role in the entire recording and mixing process, it is the number one person who converts sound waves into radio waves. If your radio has a problem here, even if you have the best mixing seats or effects Is useless.
Microphones can be divided into moving coil microphones and condenser microphones according to their structure. The principle of moving coil microphones is to use sound waves to push the diaphragm, and then the diaphragm drives the coil, which uses the change of magnetic force to generate a weak voltage. This kind of microphone is the most common microphone on the market. Most of the stage or hand-held microphones are of this kind. It does not need external power supply and can be directly inserted into the speaker system to pronounce, because this kind of microphone is relatively light and has a frequency The response is very good..., so the popularity is high.
The condenser microphone uses the change of the distance between the capacitors to generate voltage. The sound wave drives the gold-plated diaphragm. As long as the distance between the two metal plates of the capacitor is slightly changed, the output voltage of the microphone will be changed, due to the capacitor itself. It needs to be powered first, so you will see that some wired microphones need to be equipped with batteries, and some need to rely on the virtual power supply on the mixing stand, so if you buy a condenser microphone, remember to check your own mixing Whether the base supports it or not, usually the recording studio tends to use condenser microphones when receiving, because its sensitivity is very high, and the dynamic and frequency response are better than the moving coil type, but if your room does not have good sound insulation, you You will find that the use of condenser microphones is a problem.
The microphone can be divided into cardioid, super-cardioid, 8-shaped, and omnidirectional according to the range of the sound. Generally, the vocal used for singing is mostly cardioid, and the microphone of the instrument will use super-heart. The super-cardioid direction means that when you deviate from the front of the microphone, the signal will decay very quickly. If you are receiving reverberations in the entire space or receiving sounds from many different directions at the same time, you may need to use omnidirectionality You can consider the microphone according to your own needs, so that the sound that should be collected is not confiscated, but a pile of mixed sounds is collected.
As for the sensitivity of the microphone, it refers to the measurement of the output voltage of the microphone under the same conditions at a fixed point with a certain sound source, and the coefficient generated by dividing it by the input sound pressure. The greater the sensitivity, the greater the output voltage. Pay attention to the sound pressure. The reference point of the microphone is sometimes different. The sensitivity is often expressed by a negative number dbm (or dbv), so note that the sensitivity of -40db is higher than -48db. In terms of frequency response, it can be said that the microphone has a different frequency under the same conditions. The output voltage of the sound is not that the flatter the curve, the better the sound, but it can be used as a reference for the characteristics of the microphone.
Microphone is the transliteration of the English Microphone of the microphone, so it will also be abbreviated as Mic. In fact, Microphone also has a scientific name called "microphone", which directly points out the essence of the microphone: a device that picks up and transmits sound.
1. What is the difference between an ordinary microphone and a professional microphone?
Generally speaking, ordinary microphones are cheaper and professional microphones are more expensive. But the most fundamental difference is: as long as ordinary microphones can pick up the sound and hear clearly, it’s OK. Your CS teammates won’t care whether your voice is deep in the low frequency and sweet in the high frequency. The cost of a polar microphone will not exceed a dollar, but it does not affect your life and ideals with MM. A professional microphone must not only be able to pick up the sound, but also must be complete and clear, with high requirements for sound. So the sound engineer pursues good microphones and photographers pursue good camera lenses.
2. What are the classifications of microphones? What is the difference?
Common microphones can be divided into dynamic microphones (dynamic Microphone), condenser microphones (Condenser Microphone) and ribbon microphones (Ribbon Microphone) according to their working principles.
Dynamic microphones are the one you see most in non-professional occasions. Basically, you use dynamic microphones when you go to KTV to sing.
The principle of a dynamic microphone: the diaphragm in the microphone head drives the coil to vibrate and cut the magnetic lines of force to generate electrical signals, which are transmitted to the next level of equipment through the microphone cable.
The advantages of dynamic microphones: simple structure, strong and durable, low price, and low requirements for the use environment.
However, compared with condenser microphones, the sensitivity is not high enough (it is a disadvantage but also an advantage, as will be discussed below), high frequency response is insufficient, and the sound is not delicate enough.
Condenser microphones are the most widely used in the field of professional recording. 99% of the songs in the album you hear are recorded by condenser microphones.
The principle of the condenser microphone: a very thin metal diaphragm is used as the first stage of the capacitor, and another metal back plate (about a few tenths of a millimeter) is very close as the other pole, so that the vibration of the diaphragm will cause the capacitance of the capacitor The change forms an electrical signal.
The advantages of condenser microphones: Because the diaphragm is very thin, very small sounds can make it vibrate, so condenser microphones are very sensitive.
Unlike dynamic microphones, condenser microphones require a polarization voltage, and weak signals also require a pre-amplification. This requires power supply, so all condenser microphones require phantom power. Nowadays, there is basically a phantom power supply on the mic preamp, audio interface, and mixer. Just turn on the switch to work normally.
Tracked microphones (also called ribbon microphones) are very rare nowadays, and some live tuner doesn't know that there are such things as tracked microphones.
The principle of the track microphone: It is similar to the dynamic microphone, but uses a small track as the diaphragm to generate the signal.
Features of crawler microphones: retro and warm sound, fast and accurate transient response. The mid-low frequency transition is natural but the high frequency response is insufficient.
Crawler microphones are very delicate and fragile, and phantom power must not be added, they will burn as soon as they are added. And it’s not strong, and it’s basically useless when you fall on the ground. Also, be careful not to spit on it (the singer says that the pear is very big)...
3. So, is the crawler microphone the worst and the condenser microphone the best?
of course not! Each type of microphone has its advantages and disadvantages. Choose according to the actual situation. The most important thing is the right one. Let's analyze them one by one below.
The sensitivity of dynamic microphones is not high enough to pick up more details than condenser microphones, but it is also not easy to pick up environmental noise. It is very suitable for use on the stage and is not easy to generate feedback and howling. Another advantage of insensitivity is the high sound pressure level, that is, it can withstand very loud sounds without popping. For example, when you pick up the sound of snare drums at close range on the stage, the sound of a good drummer is very loud. If you use a condenser microphone, it will definitely pop. No matter how you adjust the amplifier gain, it will be useless. A dynamic microphone is very suitable.
Although the frequency response of dynamic microphones is not as straight and wide as that of condenser microphones, many musical instruments such as guitars and basses are not full-band instruments themselves. Dynamic microphones can already pick up their sounds very well and avoid them. The trouble of crosstalk of other instruments is also much more convenient when the tuner repairs EQ.
Another great advantage of dynamic microphones is that they are rugged and durable. If it's a condenser microphone, it's hard to say, maybe it's broken.
The biggest feature of the condenser microphone is its high sensitivity, rich details of pickup, and a flat and wide frequency response curve, so it can play a satisfactory effect in a good and quiet acoustic environment in the recording studio. In a normal environment, it is easy to pick up environmental noise, such as the voice of the next door, the sound of cars downstairs, these are difficult to remove in the later stage, even if they are barely removed, the sound quality will be damaged.
In addition to the requirements for the sound environment, condenser microphones are also more delicate, and light handling is a must. It is best to put them away when not in use, and put a few packets of desiccant next to them, because moisture will affect the sound quality of condenser microphones. So generally high-end recording studios will buy a special constant temperature and humidity drying box to store the microphone, after all, it is a tool for making money.
Tracked microphones are more delicate and harder to serve. Crawler microphones feel a bit between moving coil and condenser. The sensitivity is not as good as condenser but better than dynamic. The frequency response is worse than the moving coil, but not as broad as the capacitor. Although the performance is a bit inferior, and the temper is difficult to serve, but "one trick to eat fresh all over the sky", with its warm retro tone and fast transient response, it has become the favorite of many sound engineers.
And with the development of technology, many manufacturers are improving the shortcomings of tracked microphones. For example, Blue’s Woodpecker tracked microphones can be powered by 48V phantom power, which improves the high frequency response, wider frequency response, and stronger signal output. Worried about turning on the phantom power supply and burning the microphone. Beyerdynamic's RM510 tracked microphone head can even adapt to the complex environment of live performances. It is believed that the application range of crawler microphones will become wider and wider.
4. What is a large diaphragm?
The larger diaphragm is the larger diaphragm... (nonsense!)
In fact, there are no particularly strict regulations. Generally speaking, a large diaphragm can be called a large diaphragm with a diameter greater than three-quarters of an inch. Common large diaphragm microphones are about 1 inch. There are no strict size regulations for the so-called middle diaphragm and small diaphragm, depending on how the manufacturer calls them or distinguishes them by experience.
Let’s talk about why we should choose a large diaphragm:
First of all, the low-frequency pickup ability of the large diaphragm is much stronger than that of the small diaphragm, the sound is relatively warm and wide, and the sensitivity is higher. These are very suitable for recording human voices. The small diaphragm is characterized by bright high-frequency and fast response, but its low-frequency pickup ability is poor. It is suitable for recording some high-frequency musical instruments, such as cymbals and violins.
5. What about the heart-shaped pointing?
Directivity refers to the direction in which the microphone picks up the sound. For example, omnidirectional is to pick up sounds from all directions, impartially. But in many cases we only need to pick up the sound at a certain point. For example, if you sing on stage, you certainly don't want to pick up the voice of the audience on the other side.
The characteristic of Cardioid is to pick up the sound from the front to the greatest extent, and to suppress the sound from the back and side well. It is very suitable for recording point sound sources. So when you record and sing, you must use a heart-shaped microphone.
In addition, there are Figure-8 microphones, which pick up sounds directly in front and behind, and are not sensitive to sounds on both sides. They can be used in some situations, or they can be combined with cardioid microphones to form MS Stereo pickup.
There are also Supercardioid and Hypercardioid for long-distance pickup.
Finally, there are many microphones that have multiple directivity adjustments. For example, U87, you can choose between cardioid, figure 8 and omnidirectional. However, for low-priced microphones, it is not recommended to have too many functions, because it is possible that everything is good but everything is not precise. It is better to just point the cardioid to the reality.
6. What is the difference between a transistor and an electron tube?
Many people confuse tube microphones with condenser microphones, thinking that condenser microphones are tube microphones. This is wrong.
Condenser microphones are divided into two types: transistors and electron tubes: transistors are used in transistor microphones, and electron tubes are used in tube microphones. (What a long nonsense!)
Due to the characteristics of the tube itself, the tube microphone must be equipped with a power supply (it will be included when you buy the microphone). When using it, you must take a few minutes to warm up to the best condition. You must also pay attention to maintenance because the tube has a long life. Although troublesome, the sound of tube microphones is warmer than that of transistor microphones, and is loved by many singers and sound engineers. But some people feel that it is not clean enough. It varies from person to person, and the sound is very subjective.
Generally, tube microphones are more expensive, and there are no too cheap tube microphones. Therefore, if the budget is limited, it is better to buy an excellent transistor microphone than to pursue a tube microphone that is just getting started.
7. USB microphone
USB microphones are essentially no different from ordinary microphones, except that the function of digital-to-analog conversion (AD) is added. The analog signal is directly converted into a digital signal, and the signal can be easily recorded into the computer through the USB interface. In this way, only a USB microphone and a computer can be used for recording. It doesn't matter if there is no sound card and speech amplifier, even the microphone cable is saved.
Although convenient, there are advantages and disadvantages. Affected by price positioning and cost, USB microphones are generally not too expensive, and the sound quality is definitely not comparable to expensive professional microphones. The built-in AD circuit cannot be compared with professional mic amplifiers and audio interfaces. Comparable, it can only be said to be enough.
In addition, the USB microphone cannot be shared with the onboard sound card or professional audio interface, monitoring and playback are problems, and it is difficult to listen to the accompaniment recording and singing. In order to solve this problem, manufacturers began to upgrade their technology, adding a headphone jack to the USB microphone, making the USB microphone a combination of the microphone and the USB sound card.
Take BLUE's Yeti as an example: not only has a headphone jack, you can also adjust the recording gain and headphone volume, and there are even four kinds of adjustable directivity (including stereo pickup), which is not powerful in terms of function. But there is a new problem, ASIO is not supported. The result of not supporting ASIO is that the delay is relatively large, and it is not compatible with professional music production software, and the professionalism is greatly reduced. But the future USB microphone will definitely add this function, so it becomes a USB microphone sound card, which can record and produce, and has the best of both worlds.
In short, the biggest feature of the USB microphone is its convenience, plug-and-play, and a laptop can record anytime and anywhere without worrying about the inspiration slipping away.